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April 15, 2013

NCR-09 [Economy]: What Does “Waste” Worth?

Erdem Üngür and Işık Gülkaynak’s text for 9th issue of the New City Reader.

To whom does an object belong, once it becomes the personal property of a consumer and is then discarded? For what reason has the municipality organized a raid on informal waste collectors? Does garbage belong to the finder, or is everything abandoned on the streets considered state property? Does the former owner of an item also have the privilege of owning itas garbage? Whenathoughtful citizen collects discarded newspapers from her building and takes them to a paper factory,should we consider her a thief?
The tedious and everlasting processes that transform villages into towns, towns into cities, and cities into metropolises, as the population grows and density increases, have for centuries sheltered the newcomer, provided for the increasing needs of original inhabitant, and supported the emergence of increasingly personalized lines of work. The industrial developments and resurgent capitalismof recent years have changed the quality of consumed products and promoted an increase in their quantity. The discovery that the consumed object does not actually complete its life, but can be reused, enabled the emergence of the recycling/recovery market. With the breakdown in ecological equilibrium and the depletion of the world’s natural resource reserves, this market, hence “waste”, is becoming increasingly valuable. Furthermore, this value is of considerable substance, especially considering the irresolvable conflicts experienced by legal and illegal systems that aim to generate revenue from waste.

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April 14, 2013

NCR-09 [Economy]: The Still Alternative

From the pages of the 9th issue of the New City Raeder comes a text by Vincent Schipper, one of the founders of (Monnik)

In the midst of this recession, we are bombarded with facts and figures of decreased growth and rapid declines. We are repeatedly reminded that growth is our only salvation. Anything else would mean financial meltdown, literally the end of all things good. But let us consider a possibility where this is not the case.
Still•ness (adjective) — a dynamic and innovative culture that is not based on growth. It can be understood as a sustainable and inclusive society. A still society is a society that has left behind the more negative connotations of the notion of growth, and has established post-expansion, post-depletion and post-exploitation values and practices. These values and practices may already be present.

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April 10, 2013

NCR-09 [Economy]: Over Indetifiying Products and Production

A text by Freek Lomme from the 9th issue of the New City Reader “Economy” edited by Unfold

A leap into a global future beyond local post-industrial conditions, alongside Eindhoven design firm Lucas Maassen & Sons.
The new frontiers for contemporary design, those which establish our states of being, have relocated. Change is inevitable and necessary, as free producers set their sights on further and further limits.

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March 29, 2013

NCR-09 [Economy]: The Disruptive Innovation of Peer-to-Peer International Trade


Gwendolyn Floyd’s text for NCR-09 [Economy]

In emerging economies around the world, hundreds of millions of small-scale producers are currently making valuable goods. However, these producers cannot access the worldwide consumer demand for their unique, low-cost, largely handmade products because they, like over 70% of the world’s population, are living and working on the other side of the digital divide, unable to benefit from the innovation and economic opportunities provided by the Internet.

Women, who account for over 70% of the world’s poor, also make up the majority of these small-scale producers. Over 85% of women in sub-Saharan Africa are self-employed in the informal economy. Many turn to the production of crafts and handmade goods to earn or supplement meagre incomes. Their sales, however, are limited to the local economy, with inconsistent demand and high personal costs for transportation and marketing of their goods. From another perspective, however, the costly and inaccessible export supply for developing world goods is fertile ground for disruptive innovation that could open up this enormous untapped market of high-quality goods to the global marketplace.

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March 28, 2013

NCR-09 [Economy]: Currencies


Here is Leander Bindewald’s text for the 9th issue of the New City Reader [Economy]:

When talking about changing the world, an increasingly mainstream notion posits that the economy is a good place to start. When talking about changing the economy, furthermore, it is no longer an “insider” idea to begin with our monetary regimes. From this point onwards, two basic strategies are being pursued. One is to figure out the problem with the way money is created and distributed today, and to lobby for smarter ways to do so (that is, through monetary reforms). This approach promises massive positive impact and widespread instantaneous changes for all walks of life. Another strategy, confronting headfirst the vested interests of the establishment and suitable for both pro- and anti-political temperaments, is to redesign our approach to money and economy altogether. This means building new monetary subsystems at the fringes of current feasibility and allowing them to grow into viable alternatives that cannot be predicted from inside the box. Such initiatives find a common ground in engineering completely new currencies, subsumed by the terms complementary and community.

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March 26, 2013

New City Reader’s 9th Issue Economy Is Out!

Guest edited by Claire Warnier and Dries Verbruggen(UNFOLD) the 9th issue of the New City Raeder is out on the streets of Istanbul! The issue contributors are Leander Bindewald, Gwendolyn Floyd, Erdem Üngür, Işık Gülkaynak, Freek Lomme and Vincent Schipper. Check the map to the right or enter the article for a list of locations.

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March 21, 2013

New Director Appointed to Istanbul Design Biennial

Özlem Yalım Özkaraoğlu who has been the Director of Istanbul Design Biennial since 2010, will continue to contribute to the biennial as consultant and a member of the Istanbul Design Biennial Advisory Board, while pursuing her own projects in the field of design. Deniz Ova, who has worked for İKSV since 2007, has been appointed as the new director of the biennial.

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March 6, 2013

NCR-08 [Architecture]: Last Instructions


NCR Rotterdam’da bir türk mahallesinde, Brendan Cormier

How to make your own New City Reader by Kazys Varnelis

Instructions
1. Identify a city.
2. Identify the newspaper most crucial to that city. What is its format (such as tabloid or broadsheet) or a type of newspaper (a free weekly paper on cultural events, a free newspaper devoted to classifieds for sex workers, government newspaper, a newspaper that exists for purely legal purpos-es such as to announce marriages, name changes, and the formation of corporations?)? Examine the format of the newspaper and identify a strategy by which it could be appropriated for hanging throughout the city. How will language work? Can your paper be published in English? If not, how will you reach out beyond your local milieu? Decide how the paper will appear on the Web.
3. Secure funding. Anticipate that you will fall short. That’s what your own pocket is for. Secure sites for hanging the paper. Closely examine local laws that might impact its public display, and most importantly if organized crime controls the display of posted materials in your city. Find an editorial staff, a press, and individuals willing to post the paper in public.
4. Decide how your paper will be published. Should it be composed of a series of sections (e.g. politics, sports, weather, culture?) or should it come out weekly. Assign editors for individual sections or issues. Develop a repeatable workflow by which issue editors will propose their topic to you, solicit articles from contributors, and pass these to your editorial team for editing and layout. This is a newspaper. Deadlines matter. Everything will be last minute and endlessly in crisis.
5. Launch.

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March 5, 2013

NCR-08 [Architecture]:Instructions

Adhocracy participants reveal their projects as a set of instructions for the “Architecture” issue guest edited by Fake Industries Architectural Agonism.
Occupy for a Self-Shaped City, Open Structures, Ik Zoek Asiel. How to Seek Asylum in the Netherlands, How to start your own Stratigraphic Manufactury?


New City Reader at Urbanrise Workshop- Athens

Occupy for a Self-Shaped City by Lorenza Baroncelli
La Bodega is the only occupied space in Colombia. Inhabited by unpredictable and traditionally hidden subjectivities, it is a disputed space in the pre-existing urban fabric of Bogotá that hosts instances and projects experimenting new models for the city. The story of La Bodega demonstrates how the experience of occupation is possible and replicable; it is the story of its inhabitants and illuminates how occupation can spark more than urban transformation, becoming an opportunity for change and growth of single individuals. It’s also the story of the abandoned buildings in the center of Bogotá, and how they can be re-opened and transformed.

Five instructions to occupy a building
1. Search an abandoned building in a part of your town that you consider interesting.
2. Make a first visit (possibly overnight) to check the condition of the building and verify at the land registry who is the owner of the building.
3. Change the lock of the door a few days before you come in and never admit to have changed it.
4. Set a date and move inside (it is your decision to publicize it or not), and be extremely careful not to let the police enter.
5. Use the space to intercept the changing needs in the area and use your creativity to invent unexpected and innovative solutions. Don’t shut yourself in the building but look, learn and nurture the energies in the territory. Tell the people you interact with that they can do the same.

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January 23, 2013

NCR-08 [Architecture]: Adhocracy Projects

More Adhocracy projects with instructions: How to curate an extemporary show of Yona Friedman in the city of Istanbul, Re-reading Giancarlo De Carlo, How to build your own House in six Steps, Immanent Testimony

How to curate an extemporary show of Yona Friedman in the city of Istanbul by Maurizzio Bortolotti
The following instructions are for building an exhibition of the architect Yona Friedman’s work, regarding two of its main concepts:
1- The idea of the production of architecture/art by people.
2- The idea of art/architecture as unpredictable processes, in which creativity and social communication are connected to each other, enabling inhabitants to dwell and live the contemporary city. Therefore, if art and architecture express an idea of contemporary culture, Yona Friedman’s idea of the production of culture is though participation.

Instructions
1. Find a public passage or a small square.
2. Look around for very simple materials like cardboard, wire or plywood.
3. Look at Yona Friedman’s drawings published on the web (especially from his book Pro domo).
4. Set up a display or show looking at the pictures and using these materials to build unpredictable architecture made by people.
5. Invite street artists to make their interventions inside these unpredictable architectures and you’ll have a Street Museum.

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